Shipping Estimate
USA
- USA
- CAN
- USA
- CAN
Ships within 48 hours · Estimated delivery Jul 7 - Jul 12
Promo Codes Available:
For Your Every Summer RSVP, with Code: SUMMER15
Description
AquaBoost A+ Brauchwasser WärmepumpeAquaBoost A+ Wrmepumpe Effiziente Warmwasserlsung fr Ihr Zuhause Sie mchten Warmwasser effizient, leise und umweltfreundlich erzeugen? Die AquaBoost A+ Brauchwasser Wrmepumpe ist die ideale Lsung egal ob fr den Singlehaushalt, die Familie oder Ihr kleines Gewerbe. Mit modernster Wrmepumpentechnologie und umweltfreundlichem R290 Kltemittel bereiten Sie Ihr Warmwasser nachhaltig und stromsparend auf sogar bei wenig Platz. Was ist die AquaBoost A+? Die
AquaBoost A+ Wärmepumpe – Effiziente Warmwasserlösung für Ihr Zuhause
Sie möchten Warmwasser effizient, leise und umweltfreundlich erzeugen?
Die AquaBoost A+ Brauchwasser-Wärmepumpe ist die ideale Lösung – egal ob für den Singlehaushalt, die Familie oder Ihr kleines Gewerbe. Mit modernster Wärmepumpentechnologie und umweltfreundlichem R290 Kältemittel bereiten Sie Ihr Warmwasser nachhaltig und stromsparend auf – sogar bei wenig Platz.
Was ist die AquaBoost A+?
Die AquaBoost A+ ist eine energieeffiziente Brauchwasserwärmepumpe in vier Größen:
80 l, 100 l, 200 l und 300 l.
Sie eignet sich hervorragend als Ersatz für alte Boiler oder Elektro-Durchlauferhitzer – mit bis zu 60 °C Warmwassertemperatur, ohne Zusatzheizung.
Ihre Vorteile auf einen Blick
- Bis zu 70 % Stromersparnis: Dank COP 4,32 und 4,45 – macht sich schnell bezahlt
- Umweltfreundlich: Natürliches Kältemittel R290 – zukunftssicher
- Smart-Home-fähig: Steuerung per App & SG-Ready – intelligent heizen (Smart Life App)
- Für jedes Zuhause passend: Kompakt oder groß – von 80 l bis 300 l erhältlich
- Leise & sicher: Nur ca. 48 dB(A), mit Leckageschutz & Überhitzungsschutz
- Einbindung einer zusätzlichen Wärmequelle (z. B. Solarthermie, Pellet- oder Holzheizung) möglich für 200 und 300l
Welche Größe passt zu Ihnen?
AquaBoost 100 l – Kompakt & effizient
Ideal für 1–2 Personen oder Wohnungen mit wenig Platz.
- Wandhängend zu montieren, Podest zur Bodenaufstellung optional
- Warmwasserleistung: bis zu 64 l/h (Standardbetrieb)
- Maße: Ø 51cm, Höhe ca. 124cm
- Geräuscharm: max. 48 dB(A)
- Heizleistung: ca. 950 W
Perfekt, wenn Sie eine platzsparende Wärmepumpe für Warmwasser suchen!
AquaBoost 200 l / 300 l – Für Familien & Gewerbe
Geeignet für 3–6 Personen, auch in Kombination mit Photovoltaik.
- Standgerät – stabil und leistungsstark
- COP bis 4,45 für maximale Energieeinsparung
- Warmwasser für mehrere Duschen, Küche & Bad gleichzeitig
- Installierbar im Hauswirtschaftsraum, Keller oder Technikraum
Die ideale Lösung für alle, die große Mengen Warmwasser mit Wärmepumpe erzeugen möchten.
Nachhaltig, sicher und wartungsarm
- Natürliches Kältemittel (R290) mit extrem niedrigem Treibhauspotenzial
- Integrierter 2 kW Elektroheizstab für Spitzenzeiten
- Umfangreicher Sicherheitsmechanismus: Trockenlaufschutz, Leckagesensor, Kindersicherung
- Wartungsarmer Betrieb – kein Schornstein, kein Öl, kein Gas nötig
Smart & einfach steuerbar
Die AquaBoost A+ lässt sich bequem über das digitale Bedienfeld oder per App und Smart-Home steuern. Mit voreingestellten Betriebsmodi wie ECO, AUTO oder BOOST können Sie den Verbrauch exakt an Ihren Alltag anpassen.
Jetzt AquaBoost Wärmepumpe kaufen – bei Bioheizer24
Wenn Sie auf der Suche nach einer energieeffizienten Brauchwasserwärmepumpe für Ihr Zuhause sind, ist die AquaBoost A+ eine clevere Investition in Ihre Energiezukunft.
✔ verfügbar in 100 l / 200 l / 300 l
✔ klimafreundlich & stromsparend
✔ ideal für Neubauten, Sanierungen oder PV-Kombination
Lieferumfang
- AquaBoost Wärmepumpe (gewählte Größe)
- Installations- & Bedienungsanleitung
- Wandhalterung oder Standfuß (modellabhängig)
- Sicherheitsventil & Zubehörset
Technische Daten
| Merkmal | 80 L | 100 L | 200 L | 300 L |
|---|---|---|---|---|
| Volumen | 80 L | 100 L | 200 L | 300 L |
| Heizleistung WP | 950 W | 950 W | 2800 W | 2800 W |
| Leistungsaufnahme | 220 W | 220 W | 270 W | 270 W |
| COP | 4,32 | 4,32 | 4,45 | 4,45 |
| WW-Leistung ECO | 20 L/h | 20 L/h | 28 L/h | 28 L/h |
| WW-Leistung Normal | 64 L/h | 64 L/h | 70 L/h | 70 L/h |
| Heizstab | 2 kW | 2 kW | 2 kW | 2 kW |
|
Max. Temp. mit Heizstab Max. Temp. ohne |
75 °C 60 °C |
75 °C 60 °C |
70 °C 60 °C |
750°C 60 °C |
| Strom | 220–240 V | 220–240 V | 220–240 V | 220–240 V |
| Kältemittel | R290 | R290 | R290 | R290 |
| Schutzart | IPX4 | IPX4 | IPX4 | IPX4 |
| Lautstärke | 48 dB | 48 dB | 48 dB | 48 dB |
| Maße Ø×H | Ø468×122 cm | Ø510×124cm | Ø570×172 cm | Ø650×193 cm |
| Gewicht | 48 kg | 51 kg | 93 kg | 117 kg |
Shipping Notes
- Free Standard Shipping on $100+ Orders to the USA.
- Except Preorder products are shipped in 48 hours.
- Delivery to the USA:
- Standard Shipping : 3-10 business days
- If time is of the essence, please consider selecting expedited delivery for faster service.
Exchange/Return Notes
- We offer a 30-day return/exchange service after receiving.
- Final sale items are not eligible for returns or exchanges.
- To process your return/exchange, please contact us at [email protected]
- Please click here for more details>>> Return & Exchange Policy
4.8 ★★★★★
Based on 351 reviews
Sort
Product Reviews
★★★★★ 5
Very well written and easy to read.
Format: Paperback
Few people are as qualified as Philip Meyer to write a book on storytelling for lawyers. With a background as a trial lawyer, he has plenty of practical, real-life experience in the courtroom. His approach is not that of an academic giving purely theoretical advice, but that of a seasoned lawyer who knows the ins and outs of the legal profession. His experience as a professor (of both law and writing) has honed his ability to effectively communicate his ideas to a broad audience. Not only is this book helpful for the practicing lawyer, it is also useful and not too complex for the legal neophyte or casual reader.
This book breaks storytelling (narrative) down to its core components and analyzes them one by one. In the process of analyzing each part of a story, Philip Meyer skillfully explores each component with a non-legal example (e.g. movies, books, etc.) before applying it to a legal example (e.g. courtroom proceedings, appellate briefs, closing arguments, etc.) By first analyzing each part of a story (i.e. plot, setting, etc.) from a well-known story that resonates with the reader, he sets a strong foundation before transitioning to a legal story, thus making it easy for the reader to identify and better understand each part of the legal story.
I highly recommend this book to anyone remotely interested in storytelling and persuasion as they relate to the legal profession.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on November 22, 2016
★★★★★ 4
Must Read for Novice Litigators
Format: Paperback
This book is a great starting point for developing the skill of storytelling for lawyers as was intended by the author. The author gives you the basics for developing the plot, characters, style, setting, and narrative for your trial with excellent examples. The author is a law professor and the book seems geared for the law student or novice lawyers getting into litigation.
I only gave the book 4 out of 5 stars because of a couple of minor problems. However, the chapter on narrative needs further exposition and appears to be written in rushed manner. In addition, the physical binding of the book is of poor quality requiring me to glue the cover back on. Finally, the author missed the point that the lawyer's job is to look at his case as a giant puzzle to be solved and then explained as a story.It is not enough to understand your case but equally imperative that you communicate your case which is best done through the storytelling technique. This is a must read for lawyers getting up to speed on litigation.
For further exposition on legal storytelling for lawyers after reading Meyer's book on Storytelling for Lawyers, I recommend the following:
ABA webinar available with an internet search for "Storytelling for Lawyers"
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on July 25, 2018
★★★★★ 5
Much needed guide to narration in law practice
Format: Paperback
Meyer’s “Storytelling for Lawyers” is an important contribution to the literature on narration in law practice. We know that successful courtroom rhetoric can best be viewed through the prism of storytelling. But the literature does not contain a practical and detailed analysis of the elements of narration as used in law practice—that is, plotting, characterization, point of view, style, and settings in place and time. Meyer’s book fills this gap. It is blessedly free of jargon and full of practical examples of good legal storytelling. But the importance of this book goes well beyond providing practical assistance to litigators. It serves as a much-needed introduction to the principles of narration for teachers and students of literature, creative writing, and popular culture, who have lacked a readable introductory guide to the elements of successful storytelling.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on February 10, 2014
★★★★★ 5
Recommended for All Lawyers
Format: Paperback
Meyer proves his initial point that much of what lawyers do is storytelling, and he achieves his goal of providing a primer on narrative theory for lawyer-storytellers. The book is sophisticated but written in an engaging way using non-technical language. Examples from legal and literary works abound, and they range from courtroom arguments and appellate briefs on the one hand to an essay by Joan Didion and Vonnegut's "Slaughterhouse Five" on the other. Meyer's favorite stories are found in Hollywood movies, and although he seems unaware of the accomplishment,Meyer provides fresh interpretations of such movies as "HIgh Noon" and"Jaws." I strongly recommend "Storytelling for Lawyers" for all law students, lawyers, and judges.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on May 7, 2014
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017