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Eduard Hüttinger31 Essays aus den Jahren 1961 bis 1986 umfasst dieser 1992 im Erker Verlag, St. Gallen, erschienene Sammelband mit Arbeiten des Schweizer Kunsthistorikers Eduard Httinger. Ausgewhlt wurden ausschlielich Abhandlungen mit einem wissenschafts geschichtlichen Nenner, wie Gottfried Boehm in seinem einleitenden Artikel schreibt. Profile der Geschichte der Kunstgeschichte werden in den Texten ebenso deutlich wie die Persnlichkeiten ihrer Protagonisten:
31 Essays aus den Jahren 1961 bis 1986 umfasst dieser 1992 im Erker-Verlag, St. Gallen, erschienene Sammelband mit Arbeiten des Schweizer Kunsthistorikers Eduard Hüttinger. Ausgewählt wurden ausschließlich » Abhandlungen mit einem wissenschafts- geschichtlichen Nenner«, wie Gottfried Boehm in seinem einleitenden Artikel schreibt. Profile der Geschichte der Kunstgeschichte werden in den Texten ebenso deutlich wie die Persönlichkeiten ihrer Protagonisten: Hüttinger schreibt über Heinrich Wölfflin, Georg Dehio, Max J. Friedländer, Erwin Panofsky, Otto Pächt - um nur einige zu nennen. Auch Aufgabe und Arbeit von großen Sammlern wie Oskar Reinhart oder Museumsleitern wie Wilhelm Bode werden in seinen Essays kritisch beleuchtet. Und natürlich fehlen auch nicht die Belege für Hüttingers Italienpassion, so etwa sein Artikel zu Roberto Longhi, wegweisend für dessen Rezeption im deutschsprachigen Raum. Dem Band ist eine 337 Nummern umfassende Bibliografie Hüttingers beigegeben. Die Gestaltung des Bandes besorgte der mit Eduard Hüttinger befreundete Max Bill. Zum Autor: Eduard Hüttinger (1926-1998) promovierte 1952 in Zürich, wo er 1963 auch habilitierte. Er war 1955-1965 Konservator und Ausstellungsmacher am Kunsthaus Zürich, 1966-1969 Professor für Kunstgeschichte in Heidelberg, 1969-1991 Direktor des Kunsthistorischen Instituts der Universität Bern. Forschungsschwerpunkte waren Venezianische Malerei, Motiv- und Rezeptionsforschung, Geschichte der Kunstgeschichte. Zahlreiche Veröffentlichungen zur älteren italienischen und holländischen Malerei sowie zur Kunst des 19. und 20. Jahrhunderts.Shipping Notes
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4.3 ★★★★★
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★★★★★ 4
Great gift
Color: Black
Came charged and was really easy to use. Works very fast and easily releases cork
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Reviewed in the United States on January 6, 2026
★★★★★ 5
Brilliant design and features.
Color: Black
Far better than yesteryears models. Very powerful with a lot of cork torque! The long USB cord is a HUGE plus to reach distant outlets. Charging base is another big plus. Don't forget to see the video of the girl who is promoting it but cannot figure out how to use it!! Hilarious.
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Reviewed in the United States on May 3, 2026
★★★★★ 5
Works great
Color: Black
Quality wine opener kit.
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Reviewed in the United States on March 30, 2026
★★★★★ 5
Best Wine Opener We’ve Tried
Color: Black
My husband and I like to think of ourselves as wine connoisseurs, and over the years we’ve been through dozens of wine openers. So far, this one is our favorite. It’s pure magic—smooth, easy, and reliable every time. The charging base keeps everything organized. We’ve been using it for several months now without a single issue. It feels well-made and has definitely earned a permanent spot on our counter. It works so seamlessly that now we both want to open the wine.
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Reviewed in the United States on August 25, 2025
★★★★★ 5
A Surprisingly Premium, No-Nonsense Corkscrew That Just Works
Color: Silver, Number of Items: 1
I’ve gone through more corkscrews than I care to admit. Some cute, some clever, some that looked great on the countertop but absolutely fell apart the second they met a stubborn cork. This opener immediately impressed me with how solid and dependable it feels. The zinc alloy gives it a weight and sturdiness that you notice the moment you pick it up, and it has that “built to last” vibe you don’t usually get at this price point.
What I love most is that there’s no learning curve, no gimmicks, and no unnecessary parts that will eventually loosen or snap. It’s the kind of tool that feels familiar but elevated. The turning mechanism is smooth, controlled, and surprisingly effortless, even on older bottles where the cork can be unpredictable. The wings rise evenly, don’t wobble, and give you a ton of leverage, so removing the cork feels almost too easy.
It also doubles as a great bottle opener, and I appreciate that it actually feels like a bottle opener you can trust rather than a flimsy add-on tucked in as an afterthought.
If you want something flashy for your bar cart, this may not be the centerpiece. But if you’re looking for a reliable, heavy-duty corkscrew that quietly outperforms the pretty ones, this is it. An incredibly solid value and easily one of the most dependable openers I’ve owned.
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Reviewed in the United States on December 4, 2025