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Description
STEG MDSP12 +DRC +Bluetooth bundleA surprisingly compact 12 channel amplifier with a new generation 12 channel DSP. 6 channels of RCA inputs, 12 high level inputs, coax SPDIF input, optical TOSLINK input, Bluetooth AptX HD input, digital remote control for volume, sub level, preset selection, input selection, mute trigger. 12x50W RMS @ 4 Ohm output channels (at <1% THD+N), 12 channel RCA output, this DSP amp has it all. Perfect for 3 way active front + active rear amplification with
A surprisingly compact 12-channel amplifier with a new generation 12-channel DSP. 6 channels of RCA inputs, 12 high-level inputs, coax SPDIF input, optical TOSLINK input, Bluetooth AptX HD input, digital remote control for volume, sub level, preset selection, input selection, mute trigger. 12x50W RMS @ 4 Ohm output channels (at <1% THD+N), 12-channel RCA output, this DSP amp has it all. Perfect for 3-way active front + active rear amplification with an external subwoofer amplifier or 4 Ohm subwoofer on bridged channels 11 and 12 (yes, these are bridgeable even if undocumented). The powerful multichannel input EQ, time alignment and allpass filtering allows for proper OEM integration. A compact, dense multichannel DSP amplifier with very powerful DSP functionality for full integration in the modern multichannel active systems. Infinitely expandable to use high-end external amps via its 8V RCA outs on every channel - you can also use this DSP amp as a standalone DSP if need be. It's truly an universal all-in-one unit!
The DSP supports the following on every output channel:
- High pass, low pass and band pass crossovers (Linkwitz Riley, Bessel and Butterworth) up to 48 dB/oct
- 31 band fully parametric EQ with +/-15 dB correction, Q-value 0.3 to 15
- 1st and 2nd order Allpass filters with Q control and inversion (each of the 31 EQ bands can be switched to Allpass)
- Time delay up to 15 ms for time alignment, selectable in ms, cm or inches, optional linking of channel pairs
- Phase phase switching between 0 and 180 degrees
- Level correction from 0 to -40 dB, optional linking of channel pairs
- Fully functional input mixer, live mixing of inputs (2 inputs active in parallel), allows the set up of a differential rear fill
- Internal pink noise generator to test each individual output channel
The input of the DSP supports the following corrections on every input channel, including the COAX, TOSLINK and Bluetooth, separately:
- High pass, low pass and band pass crossovers (Linkwitz Riley, Bessel and Butterworth) up to 48 dB/oct
- 10 band fully parametric EQ with +/-15 dB correction, Q-value 0.3 to 15
- 1st and 2nd order Allpass filters with Q control and inversion (each of the 10 EQ bands can be switched to Allpass)
- Time delay up to 15 ms for time alignment, selectable in ms, cm or inches
- Phase phase switching between 0 and 180 degrees
- Level correction from 0 to -40 dB
Configuration software for Microsoft Windows: DOWNLOAD HERE
Manufacturer provided specs:
- Operating voltage: 9-16 VDC
- Standby power: <0.1W
- Frequency response: 20Hz-20kHz
- Output power at 1% THD-N: 12x 50W RMS @ 4 Ohm
- Output power at 10% THD-N: 12x 80W RMS @ 4 Ohm
- S/N Ratio full power A-: 100dB
- Dynamic range: 100dB
- Max input voltage: high level 32Vpp , RCA 6Vpp
- Max output voltage: high level 28Vpp, RCA 8Vpp
- Input impedance: high level 10 Ohm, RCA 47 kOhm
- System sample rate: 96kHz/24Bit
- Start-up time: <5s
- Inputs: 4xRCA analogue, 1x RCA SPDIF coax, 1x TOSLINK SPDIF, 6x high-level, Bluetooth 5.0 AptX HD module
- Outputs: 12x Speaker level amplified, 12x RCA pre-outs
- Control connections: 1x USB 1.1/2.0, wired remote (DRC)
- 8 full setup presets
- Output signal gain: -40dB to +12dB
- Auto on via high level signal detect or remote input
- Operating temperature: -20~60C
- Storage temperature: -20~85C
- Net weight: 4.2 kg
- Size: 307 x 196 x 50 mm
What's included:
- 1x DSP Amplifier unit
- 5m USB A-B cable
- 1x B5V2 Bluetooth module
- 1x DRC remote control
- 1x DRC remote control cable
- 2x High-level input harnesses
- 2x Speaker output harnesses
- Mounting brackets and fasteners
- 1x Instructions
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4.2 ★★★★★
Based on 1718 reviews
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Product Reviews
★★★★★ 5
Great gift idea!
Denomination: 0, Design Name: You're the best. (Animated)
Always a great gift for anyone and easy to purchase and redeem.
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Reviewed in the United States on May 12, 2026
★★★★★ 5
Quick delivery, Naturally a great and easy gift.
Denomination: 0, Design Name: You're the best. (Animated)
Always a great way to say thank you.
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Reviewed in the United States on June 6, 2026
★★★★★ 5
A Foundling's Felicity
This book or novel or whatever you may deem fit to call it has so many points in its favour that it's difficult to know where to begin. I think a rundown of a few of the myriad of characters that delight me personally might do for starters:
Tom Jones - A young fellow with many "imperfections" if so they may be called, but a robust fellow with a "good heart." Prudence and what is commonly called virtue are not his strong suit - But may I remind the reader that virtue comes from the Latin word for "manliness"- Tom is certainly possessed of the word's etymological origins, if not of its modern usage (particularly in amorous matters)--And a good thing too, or we should have no story here to delight us!
Squire Western- Another rambunctious character, who, for me, typifies all that is Eighteenth Century England. Every time he appeared in this book, whether it was to comment on wenching, wine, or riding to hounds a smirk would immediately cross my face followed invariably by chuckling by the end of the chapter.
Henry Fielding - The author plays as much a part of the book as any of the characters with many prologues and prefaces and etc. For these, and for much of the rest of the book, I might add, the reader who has not had four years of Latin inculcated into him at an English boarding school would do well to buy the Oxford edition, which fully explains all the learned quotes - Also, as one who was thus inculcated but is inclined to laziness, the Oxford edition's notes prove extremely helpful also. Fielding also gives us a lively picture of the literary life of his time, which the Oxford footnotes do a deft job of explaining- In short, buy the Oxford edition.
This review can not be comprehensive. There are simply too many characters to even make a go at encompassing them all. I'm merely describing some of the, to me, more delightful ones.
The book as a whole is simply a joy to read, in its comic descriptions of all who will deign to admit that they are human, and of some priggish sorts who will not so deign. I can put it no better than Fielding Himself at the beginning of Book XV:
"There are a set of religious, or rather moral writers, who teach that virtue is the certain road to happiness, and vice to misery, in this world. A very wholesome and comfortable doctrine, and to which we have but one objection, namely, that is not true."
In short, this is a delightful ramble of a book which, while entertaining the reader not too attached to Sunday School, sheds light on how unvirtuous the virtuous can be, and how kind and good-natured the roguish can be as well as giving us as good a history lesson on the state of affairs in Eighteenth century England (with attention given to the Jacobite Rebellion etc.) as many a "proper" history does.
Who, I ask myself, would not delight in this book? ---Well...for the priggish, there's always Jane Austen.
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Reviewed in the United States on January 24, 2007
★★★★★ 4
The Sidekick in Early-Modern Literature.
Tom Jones is probably the most influential novel in English history, pioneering elements like complex characterization, social criticism and authorial interjection. But you already knew that.
What you want to know is, is this a good book for us in the 21st century. And here, it's not so clear. The dialogue is pretty brisk, and some of the exchanges (the stereotypical Whig Mrs. Western arguing with her Jacobite brother is a particular treat) are actually funny. The latter part of the novel evolves into a farce, with a dozen characters engaged in scheming against one another, while Tom and Sophia helplessly go along. Farce works better in drama, where it has a faster pace, but it's always a welcome mode of comedy. You don't see enough farces.
Some of the characters are evocative (why do I picture Blifil as looking like Ted Cruz?) but some are not: Dowling is just a lawyer, and Mrs. Miller is a good woman, like thousands who have come since, and that's all there is to it. It's not as if every character needs to, or can, be a fully realized person, but the parts of the novel spent with these human plot devices do feel mechanical.
But Mr. Partridge, Tom's traveling companion, is in a different category altogether, and he just poisons the parts of the novel that he features in (chiefly the middle third). Eighteenth Century literature has a depressing reliance on goofy loose-lipped sidekicks: Mr. Partridge, Hugh Strap, Humphrey Clinker, Andrew Fairservice, Friday. Sometimes they're servants, but sometimes they're just stupid friends.
Part of this must be practical: It's difficult to follow a wandering hero (and why are the heroes of these novels always wandering? But that's a different question altogether) without giving him a friend to talk to. Maybe early novelists had a hard time sketching characters who didn't have a way to discuss the ongoing action.
But mostly, I think this is the bad influence of Don Quixote, which was becoming increasingly popular in England during this period. Sancho Panza is OK, and he's certainly the funniest element of that leaden tome. But Mr. Partridge *is* Sancho Panza, cowardice, superstition and all, and one Sancho Panza was more than enough. You know? There's a limited number of things that a silly, selfless, lazy pal can do, and it's hard to read about the same old doofus, yet again.
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Reviewed in the United States on April 28, 2016
★★★★★ 5
Delightful and entertaining
Format: Kindle
314. The History of Tom Jones: a foundling by Henry Fielding (Novel-Audible/E Book-Fiction) 5* I read along with the Audible of the novel which I found a highly delightful and entertaining experience.
The narrator, Bill Homewood, who performed the audio version of the work was excellent doing the various characters as well as the invisible narrator (author) of the story. The Synopsis is as follows:
A foundling of mysterious parentage brought up by Mr. Allworthy on his country estate, Tom Jones is deeply in love with the seemingly unattainable Sophia Western, the beautiful daughter of the neighboring squire—though he sometimes succumbs to the charms of the local girls. When Tom is banished to make his own fortune and Sophia follows him to London to escape an arranged marriage, the adventure begins. A vivid Hogarthian panorama of eighteenth-century life, spiced with danger and intrigue, bawdy exuberance and good-natured authorial interjections, Tom Jones is one of the greatest and most ambitious comic novels in English literature.
It is rather brilliant, and there is no lack of shenanigans as we follow Jones through his history and the reader never knows when and where the author will abruptly go off on a tangent, told in a most eloquent manner, end with a flourish and no doubt tossed his quill down and took a bow. I am either taken in by some farce or thoroughly enchanted by this author. As Fielding is rather the loquacious writer this read comes in Audible time at almost 38 hours or roughly 1,000 pages but worth every minute spent on it.
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Reviewed in the United States on December 19, 2017