ODA -  Railfreight Red/Grey - Triple Pack A
SKU: 61926754880

ODA - Railfreight Red/Grey - Triple Pack A

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Description

ODA - Railfreight Red/Grey - Triple Pack AIn the early 1980s, British Rail's shift to an air braked network created logistical challenges for the Ministry of Defence (MoD), whose depot sidings had sharp curves that could not accommodate newer, long wheelbase wagons. To solve this, 50 vacuum braked, 12 foot wheelbase "Pipe" wagons (built in 1961 under Lot 3335 to Diagram 1 462) were selected for conversion. Their drop sides were ideal for palletised loads. Modified at Shildon works in 1983

In the early 1980s, British Rail's shift to an air-braked network created logistical challenges for the Ministry of Defence (MoD), whose depot sidings had sharp curves that could not accommodate newer, long-wheelbase wagons.

To solve this, 50 vacuum-braked, 12-foot wheelbase "Pipe" wagons (built in 1961 under Lot 3335 to Diagram 1/462) were selected for conversion. Their drop sides were ideal for palletised loads. Modified at Shildon works in 1983 with air brakes and UIC double-link suspension, they entered service as general merchandise wagons under the TOPS code ODA, sporting a Carnival Red and Flint Grey Railfreight livery.

The ODAs successfully served the MoD network until the end of the Speedlink era. Between 1991 and 1993, they transferred to departmental infrastructure pools as ZDA wagons, wearing a red-and-yellow Satlink livery to move signalling equipment. Post-privatisation, surviving ODAs passed to EWS, running in wine red and gold until most were withdrawn by 2010.

Meanwhile, unconverted Lot 3335 wagons served various departmental roles—including the light-blue Project Mercury fleet—before vacuum-braked stock was phased out in the 1990s. Today, examples of both the ODA and original SOV variants are preserved on heritage railways.

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SKU: 61926754880

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I’ve been using A-Sub paper for my sublimation projects, and it is easily one of the best. The ink dries almost instantly once printed, so I don’t have to worry about smudging the design or getting those annoying "pizza wheel" marks from the printer rollers. The paper itself feels substantial and doesn't tear or curl easily. One of the biggest wins for me is that it never jams; it feeds through perfectly every time, saving me the frustration of wasting expensive ink and paper. When I go to press my designs, the ink releases almost completely, leaving very little behind on the paper and putting all that color onto the project. The final results look super professional, with colors that are vibrant and sharp rather than looking faded or dull. It has worked perfectly for everything I’ve tried so far, and if you want a reliable paper that gives you consistent, high-quality results, this is definitely the one to get.
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Asub sublimation paper has been excellent for my projects. The ink transfer is very good, the colors are vibrant and defined, and it dries quickly. It has helped me achieve clean and professional results, even as a beginner. Without a doubt, it's a reliable, high-quality paper for sublimation.
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